{"id":2743,"date":"2017-05-22T08:59:40","date_gmt":"2017-05-22T08:59:40","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2743"},"modified":"2021-09-08T13:04:46","modified_gmt":"2021-09-08T13:04:46","slug":"issue-1","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2017\/05\/22\/issue-1\/","title":{"rendered":"Issue 1"},"content":{"rendered":"\n

If there were no Caf\u00e9s, there wouldn\u2019t be a Jean-Paul Sartre too…<\/h3>\n\n\n\n

In the winter of 2017, the inaugural issue of Angah art and culture magazine was published, with the subject of “Caf\u00e9 and Caf\u00e9 Culture.” \u201cCaf\u00e9, coffeehouse, or any other hangouts, are venues for communications, and sipping coffee or tea are only excuses,\u201d says Arash Tanhai, the editor of Angah magazine, in the editorial of this edition. Communication of varied qualities, as well as varied narrations and stories about ideas, dialogues, and literature.”<\/p>\n\n\n\n

Agah magazine has explored the ” Caf\u00e9 and caf\u00e9 culture” with articles by Ahmad Pouri, Nasser Fakouhi, Kambiz Deranbakhsh, Lili Golestan, Davoud Arsouni, Mohammad Tolouei and  Javad Atefeh.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

In an interview with Ahmad Mohit Tabatabai, Maria Shahi discussed the history of caf\u00e9 culture in Iran. Caf\u00e9s are described as an urban phenomenon and a place to socialize and pass the time in this interview. Ebrahim Haghighi has published an article called “Places that are Excuses” about caf\u00e9s and coffeehouses from a different perspective, which are places to acquire knowledge, ask questions, and learn about the history. A place to forget about your sorrows, socialize with others, and have some fun with games and entertainment. Peyman Hooshmandzadeh’s photo collection from Shouka caf\u00e9 has been published by Angah in this issue.. \u201cScene: A small and dirty Coffeehouse\u201d, \u201cTea, Hookah and Coffeetality\u201d, \u201cInvisible caf\u00e9s\u201d, \u201cThe lights of relationship are dim\u201d and \u201cGoodbye Naderi caf\u00e9\u201d are examples of other articles in this issue.<\/p>\n\n\n\n

The most popular issue of Angah magazine, with a photo of Sadegh Hedayat on the cover, was “Caf\u00e9 and Caf\u00e9 Culture.”<\/p>\n\n\n\n

Table Of content<\/strong><\/h4>\n\n\n\n

7<\/p>\n\n\n\n

Editorial<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

8<\/p>\n\n\n\n

From the little square in front of the village to the British pubs<\/p>\n\n\n\n

> Ahmad Pouri<\/p>\n\n\n\n

10<\/p>\n\n\n\n

A look at the history of caf\u00e9 culture in Iran; An interview with Ahmad Mohit Tabatabai<\/p>\n\n\n\n

> Maria Shahi<\/p>\n\n\n\n

18<\/p>\n\n\n\n

The caf\u00e9 that wasn\u2019t, The street that was<\/p>\n\n\n\n

> Nasser Fakouhi<\/p>\n\n\n\n

22<\/p>\n\n\n\n

Places that are excuses<\/p>\n\n\n\n

> Ebrahim Haghighi<\/p>\n\n\n\n

24<\/p>\n\n\n\n

Drink the body of the world!<\/p>\n\n\n\n

> Mazdak Daneshvar<\/p>\n\n\n\n

26<\/p>\n\n\n\n

Narrative of perspectives; A look at the photo collection of Peyman Hooshmandzadeh from Shouka caf\u00e9<\/p>\n\n\n\n

> Zanyar Boloury<\/p>\n\n\n\n

34<\/p>\n\n\n\n

Shouka caf\u00e9; An interview with YarAli PourMoghaddam<\/p>\n\n\n\n

> Saba La\u2019l Mohammadi<\/p>\n\n\n\n

43<\/p>\n\n\n\n

Caf\u00e9 culture, dream and fantasy<\/p>\n\n\n\n

> Gita Gorgani<\/p>\n\n\n\n

44<\/p>\n\n\n\n

From Mash Ghanbar coffeehouse to Loghanteh caf\u00e9<\/p>\n\n\n\n

> Shams Aghajani<\/p>\n\n\n\n

46<\/p>\n\n\n\n

From a place to argue to a place to forget; Secret history of coffeehouse in Tabriz<\/p>\n\n\n\n

> Akbar Shariat<\/p>\n\n\n\n

50<\/p>\n\n\n\n

Scene: A small and dirty Coffeehouse<\/p>\n\n\n\n

> Saeed Khajeh Afzali<\/p>\n\n\n\n

58<\/p>\n\n\n\n

The sound of caf\u00e9<\/p>\n\n\n\n

> Omid Anaraki<\/p>\n\n\n\n

66<\/p>\n\n\n\n

Tea, Hookah and Coffeetality<\/p>\n\n\n\n

> Elham Zarenejad<\/p>\n\n\n\n

68<\/p>\n\n\n\n

Caf\u00e9s that are, and a caf\u00e9 that isn\u2019t; A look into the caf\u00e9 culture of Ilam<\/p>\n\n\n\n

> Hossein Shekarbeigi<\/p>\n\n\n\n

70<\/p>\n\n\n\n

Amnesia caf\u00e9s, Isfahan\u2019s amnesia syndrome<\/p>\n\n\n\n

> Salar Rafi\u2019ian<\/p>\n\n\n\n

72<\/p>\n\n\n\n

Caf\u00e9s, memories and returning to the specific point<\/p>\n\n\n\n

> Sara Sabet<\/p>\n\n\n\n

78<\/p>\n\n\n\n

Coffee Houses still rules; A look at caf\u00e9 culture of Tabriz<\/p>\n\n\n\n

> Ali Pourian<\/p>\n\n\n\n

86<\/p>\n\n\n\n

Invisible caf\u00e9s<\/p>\n\n\n\n

> Mohammad Tolouei<\/p>\n\n\n\n

94<\/p>\n\n\n\n

Ardeshir Mohasses and the critique of era<\/p>\n\n\n\n

> Esmaeil Abbasi<\/p>\n\n\n\n

102<\/p>\n\n\n\n

Pajama caf\u00e9<\/p>\n\n\n\n

> Ramin Beiraghdaar<\/p>\n\n\n\n

104<\/p>\n\n\n\n

Whole ten years on that orange couch<\/p>\n\n\n\n

> Banafsheh Cheraghi<\/p>\n\n\n\n

106<\/p>\n\n\n\n

Unmarked caf\u00e9s<\/p>\n\n\n\n

> Touraj Saberivand<\/p>\n\n\n\n

108<\/p>\n\n\n\n

Forty-five years old logo; About evolution of Starbucks logo<\/p>\n\n\n\n

> Meraj Ghanbari<\/p>\n\n\n\n

110<\/p>\n\n\n\n

A window to people; An interview with Kambiz Deranbakhsh<\/p>\n\n\n\n

> Sana Hosseinpour<\/p>\n\n\n\n

118<\/p>\n\n\n\n

Caf\u00e9 Culture and the tradition of conversing<\/p>\n\n\n\n

>Roshan Norozi<\/p>\n\n\n\n

120<\/p>\n\n\n\n

From the third republic of France to sartre\u2019s existentialism<\/p>\n\n\n\n

> Faranak Ahmadzadeh<\/p>\n\n\n\n

124<\/p>\n\n\n\n

I\u2019m on the terrace<\/p>\n\n\n\n

> pierre reno >Mitra Asfari<\/p>\n\n\n\n

128<\/p>\n\n\n\n

The lights of relationship are dim; A review of caf\u00e9s in Edward hopper\u2019s works With a look at the \u201cChop Suey\u201d<\/p>\n\n\n\n

> Mones Mohammadi<\/p>\n\n\n\n

134<\/p>\n\n\n\n

Interview with Jim Jarmusch about \u201ccoffee and cigarettes\u201d film<\/p>\n\n\n\n

> Translation by Mehrnoosh Fetrat<\/p>\n\n\n\n

138<\/p>\n\n\n\n

Caf\u00e9s and hangouts;  Interview with Lili Golestan<\/p>\n\n\n\n

> Golboo Fiuzi<\/p>\n\n\n\n

146<\/p>\n\n\n\n

Inspiration espresso; A look into the effects of caf\u00e9 Culture on art creativity<\/p>\n\n\n\n

> Hadith Mottaghi<\/p>\n\n\n\n

150<\/p>\n\n\n\n

Fifteen world famous caf\u00e9s<\/p>\n\n\n\n

> Translation by Marjan Charkhchi<\/p>\n\n\n\n

154<\/p>\n\n\n\n

Keyvan caf\u00e9<\/p>\n\n\n\n

> Fateh Sahba<\/p>\n\n\n\n

168<\/p>\n\n\n\n

I didn\u2019t deal with my emotions, An unread letter from Morteza Keyvan to Houshang Ebtehaj<\/p>\n\n\n\n

172<\/p>\n\n\n\n

About Hedayat\u2019s hangouts from 1940 to 1950<\/p>\n\n\n\n

> Unsigned by a friend of Hedayat<\/p>\n\n\n\n

180<\/p>\n\n\n\n

Semiotics of caf\u00e9 and caf\u00e9s culture<\/p>\n\n\n\n

> Saeed Khajeh Afzali<\/p>\n\n\n\n

188<\/p>\n\n\n\n

Caff\u00e8 Greco<\/p>\n\n\n\n

> Helia Hammedani<\/p>\n\n\n\n

194<\/p>\n\n\n\n

The width of Faux cols and caf\u00e9 culture<\/p>\n\n\n\n

> Hamid Jaffari<\/p>\n\n\n\n

196<\/p>\n\n\n\n

Theatre-caf\u00e9<\/p>\n\n\n\n

> Mohammad Imani Fooladi<\/p>\n\n\n\n

198<\/p>\n\n\n\n

A cup of internet<\/p>\n\n\n\n

> Davoud Arsouni<\/p>\n\n\n\n

204<\/p>\n\n\n\n

Create other types of archiving, caf\u00e9 Nostal<\/p>\n\n\n\n

> Younes Younesian<\/p>\n\n\n\n

206<\/p>\n\n\n\n

Goodbye Naderi caf\u00e9<\/p>\n\n\n\n

> Javad Atefeh<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

If there were no Caf\u00e9s, there wouldn\u2019t be a Jean-Paul Sartre too… In the winter of 2017, the inaugural issue of Angah art and culture magazine was published, with the subject of “Caf\u00e9 and Caf\u00e9 Culture.” \u201cCaf\u00e9, coffeehouse, or any other hangouts, are venues for communications, and sipping coffee or tea are only excuses,\u201d says […]<\/p>\n","protected":false},"author":1,"featured_media":2993,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,4,5,6],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2743"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":1,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2743\/revisions"}],"predecessor-version":[{"id":3017,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2743\/revisions\/3017"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2993"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2743"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}