{"id":2751,"date":"2018-05-24T01:23:52","date_gmt":"2018-05-24T01:23:52","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2751"},"modified":"2021-09-08T13:04:29","modified_gmt":"2021-09-08T13:04:29","slug":"issue-3","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2018\/05\/24\/issue-3\/","title":{"rendered":"Issue 3"},"content":{"rendered":"\n

Peykan, 50 years old friendship<\/h2>\n\n\n\n

Ahmad and Mahmoud Khayyami founded the Iran national company, which changed its name to Iran Khodro following the revolution. The Khayyami brothers signed a deal with Rootes Company in England to produce Peykan in 1966, and Iran National Company was launched a year later on May 13th, 1967.<\/p>\n\n\n\n

In this issue of angah magazine, “Peykan, 50 years of friendship,” and in the article “Fathers of Peykan,” you may read: \u201cBoth Ahmad and Mahmoud Khayyami began their careers as workers and laborers as children, therefore they understand the pain and suffering of employees more than any other employer. That is why, after achieving relative economic stability, their first action and priority was to improve the personnel’s standard of living.\u201d<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Mahmoud Khayyami created the industrial and mining bank, the Kourosh (now Qods) chain of stores, and Iran’s first furniture manufacturer before the revolution (Mobliran).<\/p>\n\n\n\n

 In his article, Fateh Sahba mentions the Khayyami brothers as humble benefactors, writing: \u201cBoth boys were quite religious as a result of their father’s teachings. Mahmoud gave a piece of land behind their house to a Hussainiya, and Ahmad assisted in the construction of a mosque.\u201d After Mahmoud’s death, he left behind a hundred and ten schools and educational complexes that would live on throughout Iranian history.<\/p>\n\n\n\n

Table Of content<\/strong><\/h3>\n\n\n\n

Editorial<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

The world through the mirror of Peykan<\/p>\n\n\n\n

> Seyed Mohammad Beheshti<\/p>\n\n\n\n

Peykan: The rise and the fall of a national treasure<\/p>\n\n\n\n

> Nasser Fakouhi<\/p>\n\n\n\n

Dream of young boys<\/p>\n\n\n\n

> Shahrooz Nazari<\/p>\n\n\n\n

Peykan: A bite of humor to myth<\/p>\n\n\n\n

> Esmaeil Abbasi<\/p>\n\n\n\n

Peykan hunter<\/p>\n\n\n\n

> interview with Shahin Armin<\/p>\n\n\n\n

Peykan as the body<\/p>\n\n\n\n

> Hossein Ganji<\/p>\n\n\n\n

Fathers of Peykan<\/p>\n\n\n\n

> Fateh Sahba<\/p>\n\n\n\n

Thought deadend, Iranian assembly<\/p>\n\n\n\n

> Rasoul Nazarzadeh<\/p>\n\n\n\n

Orange clothes, Orange Face<\/p>\n\n\n\n

> Banousheh Farhat<\/p>\n\n\n\n

Peykan music<\/p>\n\n\n\n

> Omid Anaraki<\/p>\n\n\n\n

About the \u201cHappy birthday\u201d song<\/p>\n\n\n\n

> Anoushiravan Rohani<\/p>\n\n\n\n

Shirdel according to Shirdel<\/p>\n\n\n\n

> Kaboutar Arshadi<\/p>\n\n\n\n

Peykan, Hormozian style. Interview with Mohsen Mirzaei<\/p>\n\n\n\n

> Mohammad Reza Behzadi<\/p>\n\n\n\n

Peykanian life<\/p>\n\n\n\n

> Abbas Kazemi and Hadi Aghajanzadeh<\/p>\n\n\n\n

Revolutionary Peykan, Photos of Bahman Jalali and Ra\u2019na Javadi<\/p>\n\n\n\n

> Younes Younesian<\/p>\n\n\n\n

The love of American life<\/p>\n\n\n\n

> Taraneh Yalda<\/p>\n\n\n\n

Automobile, Private or public area?<\/p>\n\n\n\n

> Bahman Keshavarz<\/p>\n\n\n\n

Andy Warhol\u2019s cars<\/p>\n\n\n\n

> Yasaman Bahremand<\/p>\n\n\n\n

Francoise Sagan, sport car fanatic<\/p>\n\n\n\n

> Sylvian Rise. Translated by Asghar Nouri<\/p>\n\n\n\n

From \u201cThe great Gatsby\u201d to \u201cThe Wind in the Willows\u201d<\/p>\n\n\n\n

> Andrew Tiller Translated by Ali Amir Riyahi<\/p>\n\n\n\n

Peykan, the impotent myth of modern times. Interview with Dr. Baman Namvar Motlagh<\/p>\n\n\n\n

> Hossein Ganji<\/p>\n\n\n\n

Dear memory of Peykan<\/p>\n\n\n\n

> Afsaneh Kamran<\/p>\n\n\n\n

An Arrow that never hit the target<\/p>\n\n\n\n

> Farzad Moghadam<\/p>\n\n\n\n

Authomobil, a seatheart and a burden<\/p>\n\n\n\n

> Leila Khodabakhsh<\/p>\n\n\n\n

Iron gentleman, iron Dash Akol<\/p>\n\n\n\n

> Davood Arsouni<\/p>\n\n\n\n

Stories of me and my dad; Orange Peykan<\/p>\n\n\n\n

> Amir Sohrabi<\/p>\n\n\n\n

Oh, Peykan\u2026<\/p>\n\n\n\n

> Hamid Reza Kaemai<\/p>\n\n\n\n

The Peykan that was<\/p>\n\n\n\n

>Kourosh Adim<\/p>\n\n\n\n

Peykan of the city<\/p>\n\n\n\n

> Hoora Motamed Amini<\/p>\n\n\n\n

A look at the show \u201cMr. Abbas, worker of Iran National\u201d<\/p>\n\n\n\n

> Javad Atefeh<\/p>\n\n\n\n

Peykan as a polluter<\/p>\n\n\n\n

> Ali Bahremand<\/p>\n\n\n\n

Peykan is no longer anybody\u2019s dream<\/p>\n\n\n\n

> Saeed Nouri<\/p>\n\n\n\n

Good rider, You belong on our eyes<\/p>\n\n\n\n

> Shahrzad Hemati<\/p>\n\n\n\n

Peykan Now<\/p>\n\n\n\n

> Sohrab Daryabandari<\/p>\n\n\n\n

Iran National company according to Iranica<\/p>\n\n\n\n

> Marjan Charkhchi<\/p>\n\n\n\n

Peykan, the story of a burnt generation<\/p>\n\n\n\n

> Hengameh Abedin<\/p>\n\n\n\n

Riding Peykan in the green rectangle<\/p>\n\n\n\n

> Chia Fooladi<\/p>\n\n\n\n

The Peykan that happened to us<\/p>\n\n\n\n

> Arash Hassanpour<\/p>\n\n\n\n

The vast graveyard of Iran National family<\/p>\n\n\n\n

> Masoud Mir<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

Peykan, 50 years old friendship Ahmad and Mahmoud Khayyami founded the Iran national company, which changed its name to Iran Khodro following the revolution. The Khayyami brothers signed a deal with Rootes Company in England to produce Peykan in 1966, and Iran National Company was launched a year later on May 13th, 1967. In this […]<\/p>\n","protected":false},"author":1,"featured_media":2991,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,9,6,10],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2751"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2751"}],"version-history":[{"count":2,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2751\/revisions"}],"predecessor-version":[{"id":3014,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2751\/revisions\/3014"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2991"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2751"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}