{"id":2757,"date":"2018-05-25T08:23:52","date_gmt":"2018-05-25T08:23:52","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2757"},"modified":"2021-09-08T13:04:16","modified_gmt":"2021-09-08T13:04:16","slug":"issue-4","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2018\/05\/25\/issue-4\/","title":{"rendered":"Issue 4"},"content":{"rendered":"\n

The vision of Enghelab street, is freedom;<\/h2>\n\n\n\n

Enghelab street is the oldest East-west axis of Tehran city. At first it was an end to Naseri Trench but because of the presence of key places such as Tehran University, Alborz Highschool, Daneshjoo Park, City Theatre, Roudaki Hall, and key squares such as ValiAsr, it now plays a significant position in our memories and nostalgia.<\/p>\n\n\n\n

From the time it was known as RezaShah street till now, Enghelab street has held the collective memories of several generations. \u201cEnghelab street is associated with a lot of images: from memories of the Konkoor exam to books and caf\u00e9s, protests and romantic dates,\u201d says Farzad Moghadam.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

The fourth issue of Angah magazine begins with an article by Hossein Shahrabi discussing the importance of Enghelab Street and the need to talk about it, which prepares the reader’s mind for the reason for this issue’s subject. We see the name of Seyed Farid Ghasemi who wrote \u201cBooksellers migration\u201d. it’s hard to go by shops and book dealers without noticing Tahouri Library; Fateh Sahba recalls Seyed Abdolghafar Tahouri, who was genuinely the sacred center for book readers and cultural society, in his piece “This House Was Not Black.”<\/p>\n\n\n\n

Enghelab Street has experienced many terrible and joyful days, including the 1979 revolution. Days of fire and roars, captured by Ra’na Javadi, Kamran Shirdel, Kaveh Golestan, and Abbas Attar, and featured in this issue of Angah magazine.<\/p>\n\n\n\n

Table Of content<\/strong><\/h3>\n\n\n\n

7<\/p>\n\n\n\n

Editorial<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

8<\/p>\n\n\n\n

Why we talk about Enghelab street<\/p>\n\n\n\n

> Hossein Shahrabi<\/p>\n\n\n\n

12<\/p>\n\n\n\n

The moat of modernity and the Enghelab street<\/p>\n\n\n\n

> Masoud Shafigh<\/p>\n\n\n\n

20<\/p>\n\n\n\n

Booksellers migration<\/p>\n\n\n\n

> Seyed Farid Ghasemi<\/p>\n\n\n\n

24<\/p>\n\n\n\n

This house was not black<\/p>\n\n\n\n

> Fateh Sahba<\/p>\n\n\n\n

36<\/p>\n\n\n\n

Enghelab or revolution of\u2026<\/p>\n\n\n\n

> Maryam Palizban<\/p>\n\n\n\n

38<\/p>\n\n\n\n

Revolution in the Enghelab<\/p>\n\n\n\n

> Photos of Ra\u2019na Javadi, Kamran Shirdel, Kaveh Golestan and Abbas Attar<\/p>\n\n\n\n

48<\/p>\n\n\n\n

With all the love we gave\u2026<\/p>\n\n\n\n

> Conversation between Ali Rafi\u2019ie and Ebrahim Haghighi<\/p>\n\n\n\n

60<\/p>\n\n\n\n

The forgotten hangout<\/p>\n\n\n\n

> Roshanak Hadian<\/p>\n\n\n\n

66<\/p>\n\n\n\n

Reza Shah street<\/p>\n\n\n\n

> Mona Najafizadeh<\/p>\n\n\n\n

70<\/p>\n\n\n\n

Very fine: Fine arts<\/p>\n\n\n\n

> Saeed Rafi\u2019ie Monfared<\/p>\n\n\n\n

74<\/p>\n\n\n\n

What disasters did not befall Farhad. Interview with arviz Tanavoli<\/p>\n\n\n\n

> Hossein Ganji<\/p>\n\n\n\n

80<\/p>\n\n\n\n

A roof for Molavi THeatre Hall<\/p>\n\n\n\n

> Asghar Hemmat<\/p>\n\n\n\n

82<\/p>\n\n\n\n

People of Enghelab street<\/p>\n\n\n\n

> Photos of Ali Soltani<\/p>\n\n\n\n

90<\/p>\n\n\n\n

Human and street<\/p>\n\n\n\n

> Hossein Ganji<\/p>\n\n\n\n

94<\/p>\n\n\n\n

Viva la Enghelab<\/p>\n\n\n\n

> Sara Sabet<\/p>\n\n\n\n

98<\/p>\n\n\n\n

Where are the north and south of Tehran?<\/p>\n\n\n\n

Interview with Va\u2019ez Mahdavi<\/p>\n\n\n\n

> Ali Nili<\/p>\n\n\n\n

104<\/p>\n\n\n\n

City signs<\/p>\n\n\n\n

> Photos of Morteza Akochakian<\/p>\n\n\n\n

106<\/p>\n\n\n\n

No language here<\/p>\n\n\n\n

>Vahid Lotfi Manesh<\/p>\n\n\n\n

112<\/p>\n\n\n\n

Signs of publication<\/p>\n\n\n\n

> Meraj Ghanbari<\/p>\n\n\n\n

114<\/p>\n\n\n\n

Views of a street<\/p>\n\n\n\n

> Astiaj Ziaie<\/p>\n\n\n\n

122<\/p>\n\n\n\n

Rural jammings<\/p>\n\n\n\n

> Maryam Gholami<\/p>\n\n\n\n

128<\/p>\n\n\n\n

A walk among the memories<\/p>\n\n\n\n

> Araan Javidani<\/p>\n\n\n\n

134<\/p>\n\n\n\n

Forbidden books society<\/p>\n\n\n\n

> Ali Amir Riyahi<\/p>\n\n\n\n

140<\/p>\n\n\n\n

Indolence in the uproar<\/p>\n\n\n\n

> Farzaneh Ghobadi<\/p>\n\n\n\n

148<\/p>\n\n\n\n

Dorology<\/p>\n\n\n\n

> Mina Bozorgmehr<\/p>\n\n\n\n

152<\/p>\n\n\n\n

The fire that sat on the enchanted soul of book<\/p>\n\n\n\n

> Hadi Aghajanzadeh<\/p>\n\n\n\n

160<\/p>\n\n\n\n

Head of Khiva\u2019s king<\/p>\n\n\n\n

> Alireza Ghasem khan<\/p>\n\n\n\n

162<\/p>\n\n\n\n

Taste of Enghelab street<\/p>\n\n\n\n

> Hajar Razmpa<\/p>\n\n\n\n

166<\/p>\n\n\n\n

From book hangout to book market<\/p>\n\n\n\n

> Arash Hassanpour<\/p>\n\n\n\n

170<\/p>\n\n\n\n

America School<\/p>\n\n\n\n

> Mohammadreza  Behzadi<\/p>\n\n\n\n

178<\/p>\n\n\n\n

Alborz College<\/p>\n\n\n\n

> Reza Dormishian<\/p>\n\n\n\n

180<\/p>\n\n\n\n

The Triple Door<\/p>\n\n\n\n

> Ali Khodaei<\/p>\n\n\n\n

184<\/p>\n\n\n\n

Instant Plan<\/p>\n\n\n\n

> Amir Hossein Khorshidfar<\/p>\n\n\n\n

188<\/p>\n\n\n\n

The red diamond of Ferdowsi<\/p>\n\n\n\n

> Milad Eslaminejad<\/p>\n\n\n\n

190<\/p>\n\n\n\n

Story of the square statue<\/p>\n\n\n\n

> Iraj Eskandari<\/p>\n\n\n\n

192<\/p>\n\n\n\n

Four climates in Chaharso<\/p>\n\n\n\n

> Banoosheh Farhat<\/p>\n\n\n\n

196<\/p>\n\n\n\n

The first prayer<\/p>\n\n\n\n

> Seyed Hadi Tabatabaei<\/p>\n\n\n\n

202<\/p>\n\n\n\n

The friday prayer; more than a prayer<\/p>\n\n\n\n

> Ramin Mostaghim<\/p>\n\n\n\n

204<\/p>\n\n\n\n

Posters of Enghelab street<\/p>\n\n\n\n

> Saeed Babavand<\/p>\n\n\n\n

206<\/p>\n\n\n\n

Yesterday of Enghelab<\/p>\n\n\n\n

> Leila Nasiriha<\/p>\n\n\n\n

212<\/p>\n\n\n\n

Nested layers of a street<\/p>\n\n\n\n

> Farzad Moghadam<\/p>\n\n\n\n

218<\/p>\n\n\n\n

Love in the Enghelab street<\/p>\n\n\n\n

> Mohammad Tolouei<\/p>\n\n\n\n

222<\/p>\n\n\n\n

Current life behind the street\u2019s veil<\/p>\n\n\n\n

> Zanyar Boloury<\/p>\n\n\n\n

230<\/p>\n\n\n\n

Ethere of body<\/p>\n\n\n\n

> Ra\u2019na Safari, Amin Bahrami, Davood Arsooni, Salar Kalantari<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

The vision of Enghelab street, is freedom; Enghelab street is the oldest East-west axis of Tehran city. At first it was an end to Naseri Trench but because of the presence of key places such as Tehran University, Alborz Highschool, Daneshjoo Park, City Theatre, Roudaki Hall, and key squares such as ValiAsr, it now plays […]<\/p>\n","protected":false},"author":1,"featured_media":2990,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,11,12,6],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2757"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2757"}],"version-history":[{"count":2,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2757\/revisions"}],"predecessor-version":[{"id":3012,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2757\/revisions\/3012"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2990"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2757"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}