{"id":2764,"date":"2019-05-27T01:23:52","date_gmt":"2019-05-27T01:23:52","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2764"},"modified":"2021-09-08T13:03:55","modified_gmt":"2021-09-08T13:03:55","slug":"issue-6","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2019\/05\/27\/issue-6\/","title":{"rendered":"Issue 6"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\">\n<h2 class=\"wp-block-heading\">Remembering Shiraz<\/h2>\n\n\n\n<p class=\"has-drop-cap\">For the sixth issue, Angah chose the subject of Shiraz, entitled &#8220;Shiraz: The City of Conversation.&#8221; Humans are the ones who are most affected by their environment, and we must not overlook the impact of humans on cities. Humans have always put a high value on the environment, and Angah attempts to explore this relationship with Shiraz.<\/p>\n\n\n\n<p>The Shiraz issue opens with a poem by Hafez and a photo of a few women in Hafez&#8217;s tomb by Abbas Attar, a well-known photojournalist.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"667\" src=\"http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/05\/Shiraz1.jpg\" alt=\"\" class=\"wp-image-3006\" srcset=\"http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/05\/Shiraz1.jpg 667w, http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/05\/Shiraz1-300x300.jpg 300w, http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/05\/Shiraz1-150x150.jpg 150w, http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/05\/Shiraz1-125x125.jpg 125w\" sizes=\"(max-width: 667px) 100vw, 667px\" \/><\/figure><\/div>\n\n\n\n<p>Interviews with Ebrahim Golestan, Mohammad Keshavarz, Bahram Dabiri, and Gholamhossein Saber feature in the sixth issue.<\/p>\n\n\n\n<p>\u201cMany writers have written about their cities,\u201d Ali Amir Riahi writes in the opening article. About cities with labyrinths of alleys and streets that provided residents and inhabitants with a sense of identity and existence. Cities, on the other hand, derive their color and moods from their inhabitants. The mood of a city is determined by the tastes of its inhabitants.\u201d<\/p>\n\n\n\n<p>Mohammad Sarvi analyzes Shiraz from a historical perspective in his piece &#8220;In a Foreign Country.&#8221; The article &#8220;We two or three, gathered in a private&#8230;&#8221; delves more into the Shiraz literary meetings. A range of intriguing photos from places and people, as well as other sites in Shiraz, are attached to each of these articles.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Table Of content<\/strong><\/h3>\n\n\n\n<p>Editorial<\/p>\n\n\n\n<p>&gt; Ali Amir Riahi<\/p>\n\n\n\n<p>Poem of the city<\/p>\n\n\n\n<p>&gt; Mohammad Beheshti<\/p>\n\n\n\n<p>From the gone days. Interview with Ebrahim Golestan<\/p>\n\n\n\n<p>&gt; Vahid Daavar<\/p>\n\n\n\n<p>The poor wealthy<\/p>\n\n\n\n<p>&gt; Farzad Moghadam<\/p>\n\n\n\n<p>The city of love and fault<\/p>\n\n\n\n<p>&gt; Mina Rezaei<\/p>\n\n\n\n<p>It\u2019s unique condition<\/p>\n\n\n\n<p>&gt; Farzane Ghobadi<\/p>\n\n\n\n<p>In a foreign country<\/p>\n\n\n\n<p>&gt; Mohammad Sarvi<\/p>\n\n\n\n<p>Godard of Hafez<\/p>\n\n\n\n<p>&gt; Victor Daniel and Golnar Taajdaar<\/p>\n\n\n\n<p>The Story of Shiraz. Interview with Mohammad Keshavarz<\/p>\n\n\n\n<p>&gt; Mohammad Tolouei<\/p>\n\n\n\n<p>We two or three, gathered in a private\u2026<\/p>\n\n\n\n<p>&gt; Maryam Hashempour<\/p>\n\n\n\n<p>Golestan, the pool and the freedom age<\/p>\n\n\n\n<p>&gt; Sirous Roumi<\/p>\n\n\n\n<p>Poetry is my business<\/p>\n\n\n\n<p>&gt; Fateh sahba<\/p>\n\n\n\n<p>Golnar<\/p>\n\n\n\n<p>&gt; Khosrow Hakim Rabet<\/p>\n\n\n\n<p>Everyday street life of Shiraz amid the thirty-five years old memories<\/p>\n\n\n\n<p>&gt; Mehdi Rostami<\/p>\n\n\n\n<p>Esfand book passage<\/p>\n\n\n\n<p>&gt; Hamidreza Zerafat, Anis Sa\u2019adat<\/p>\n\n\n\n<p>Grass corner<\/p>\n\n\n\n<p>&gt; Hajar Razmpa<\/p>\n\n\n\n<p>So they sit, and musicians start<\/p>\n\n\n\n<p>&gt; Sadaf Shakibaei, Razie Jeyranzadeh<\/p>\n\n\n\n<p>Nobels of this neighbor<\/p>\n\n\n\n<p>&gt; Mohammad Reza Behzadi<\/p>\n\n\n\n<p>The shiraz house<\/p>\n\n\n\n<p>&gt; Afsaneh Kamran<\/p>\n\n\n\n<p>The decline of the garden in the minds of society<\/p>\n\n\n\n<p>&gt; Shirin Karimi<\/p>\n\n\n\n<p>Shiraz spectrum<\/p>\n\n\n\n<p>&gt; Fatima Ferdows<\/p>\n\n\n\n<p>Going and not coming back<\/p>\n\n\n\n<p>&gt; Arash sohrabi<\/p>\n\n\n\n<p>I continue my mission<\/p>\n\n\n\n<p>&gt; Mohammad Sadegh Darvish<\/p>\n\n\n\n<p>Shiraz school, Interview with Bahram Dabiri<\/p>\n\n\n\n<p>&gt; Taraneh Yalda<\/p>\n\n\n\n<p>Notices of a party<\/p>\n\n\n\n<p>&gt; Ali Bakhtiyari<\/p>\n\n\n\n<p>Imaginary city<\/p>\n\n\n\n<p>&gt; Rasoul Nazarzadeh<\/p>\n\n\n\n<p>The wise old magus<\/p>\n\n\n\n<p>&gt; Touraj Daryaei<\/p>\n\n\n\n<p>Self burner and stranger lover. Interview with Mehrzad Dirin<\/p>\n\n\n\n<p>&gt; Saeed Mazinani<\/p>\n\n\n\n<p>The sash room, The first excuses to paint. Interview with Gholamhossein Saber<\/p>\n\n\n\n<p>&gt; Hassan Morizinejad<\/p>\n\n\n\n<p>The songs<\/p>\n\n\n\n<p>&gt; Astiaj Ziaie<\/p>\n\n\n\n<p>The fifth view<\/p>\n\n\n\n<p>&gt; Arash Basirat<\/p>\n\n\n\n<p>The private collection of Mr. M<\/p>\n\n\n\n<p>&gt; Roshanak Hadian<\/p>\n\n\n\n<p>Sadegh\u2019s empty place<\/p>\n\n\n\n<p>&gt; Mahdi Parsaei, Mahsa Faghihi<\/p>\n\n\n\n<p>When The wind carry your voice to far places<\/p>\n\n\n\n<p>&gt; Banoosheh Farhat<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Remembering Shiraz For the sixth issue, Angah chose the subject of Shiraz, entitled &#8220;Shiraz: The City of Conversation.&#8221; Humans are the ones who are most affected by their environment, and we must not overlook the impact of humans on cities. Humans have always put a high value on the environment, and Angah attempts to explore [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2989,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,15,6,16],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2764"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2764"}],"version-history":[{"count":1,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2764\/revisions"}],"predecessor-version":[{"id":3008,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2764\/revisions\/3008"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2989"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2764"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}