{"id":2772,"date":"2019-05-29T09:23:52","date_gmt":"2019-05-29T09:23:52","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2772"},"modified":"2021-09-08T13:03:27","modified_gmt":"2021-09-08T13:03:27","slug":"issue-8","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2019\/05\/29\/issue-8\/","title":{"rendered":"Issue 8"},"content":{"rendered":"\n

Popular culture or universality<\/h2>\n\n\n\n

Hadi Aghajanzadeh interviews Hossein Payandeh on “Boundaries of Popular Culture” in this issue, and Shahrooz Nazari writes a report on popular culture in the visual arts, noting that: \u201c Without a doubt, popular culture is a hotbed of cultural disputes, but these conflicts do not benefit either one group over the other, and, on the other hand, they diminish high society if they insist on popularity while ignoring it.\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Morad FArhadpour was interviewed on elitism and the critique of popular culture in this issue. This issue’s cover has a portrait of Mohammad Ali Fardin, who is also featured in an essay by Fateh Sahba: \u201cThe news of Fardin’s death went viral. Such important news that the death of this renowned actor was announced by the Islamic republic television, which had placed his name on a two-decade blacklist\u201d.<\/p>\n\n\n\n

Another topic examined in this issue is Xavier Crement’s book “Assholism,” which is popular among the general public.<\/p>\n\n\n\n

This issue examines popular culture from a variety of perspectives. In this edition, movie posters from “Beehive,” “Crossing the Border of Life,” “Ghadeghan,” and “Dash Akol,” among others, are used.<\/p>\n\n\n\n

Table Of content<\/strong><\/h3>\n\n\n\n

Editorial<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

Boundaries of popular culture. Interview with Hossein Payandeh<\/p>\n\n\n\n

> Hadi aghajanzadeh<\/p>\n\n\n\n

Cultural resistance, trend or necessity?<\/p>\n\n\n\n

> Shahrooz Nazari<\/p>\n\n\n\n

We, the children of Iran<\/p>\n\n\n\n

> Leila Papuli yazdi<\/p>\n\n\n\n

Standing between two millstones: Integration and isolation. Interview with Morad Farhadpour<\/p>\n\n\n\n

> Hadi Aghajanzadeh, Kabootar Arshadi<\/p>\n\n\n\n

From business card to selfie<\/p>\n\n\n\n

> Zanyar Boloury<\/p>\n\n\n\n

The one who is like no one<\/p>\n\n\n\n

> Fateh Sahba<\/p>\n\n\n\n

The complexities of compromising the audience. Interview with Mohammad Motovaselani<\/p>\n\n\n\n

> Ali Bakhtyari<\/p>\n\n\n\n

Higher than any high peaks<\/p>\n\n\n\n

> Navid Pourmohammadreza<\/p>\n\n\n\n

Sit the chair by the window and watch the long line for theatre<\/p>\n\n\n\n

> Ali Amir Riyahi<\/p>\n\n\n\n

Shahrzad Series; From myth to moderation<\/p>\n\n\n\n

> Shirin Karimi<\/p>\n\n\n\n

From radio days to L.A interim. Interview with Sasan Fatemi<\/p>\n\n\n\n

> Reza Samim<\/p>\n\n\n\n

Shame on the city without poets. Interview with Shahryar Ghanbari<\/p>\n\n\n\n

> Hossein Asaran<\/p>\n\n\n\n

Dr. Kavoosi<\/p>\n\n\n\n

> Aran Javidani, Asam Mohammadi<\/p>\n\n\n\n

You are not witless<\/p>\n\n\n\n

> Zahra Molouki<\/p>\n\n\n\n

The success of Gol Agha. Interview with Ahmad Arabani<\/p>\n\n\n\n

> Hadi Heydari<\/p>\n\n\n\n

Favouring the west<\/p>\n\n\n\n

> Babak Rafi\u2019 Ya\u2019lavi<\/p>\n\n\n\n

Where does Shariati stand? Interview with Soosan Shariati<\/p>\n\n\n\n

Popular culture bodies, Language of telling the truth<\/p>\n\n\n\n

> Arash Hassanpour<\/p>\n\n\n\n

From Nima to the others<\/p>\n\n\n\n

> Farzaneh Ghobadi<\/p>\n\n\n\n

Constant struggle with red lines. Interview with Hooshang Golmakani<\/p>\n\n\n\n

> Hamidreza Sheshjavani<\/p>\n\n\n\n

Until Oshin starts<\/p>\n\n\n\n

> Shermin Naderi<\/p>\n\n\n\n

Popular culture or universality<\/p>\n\n\n\n

> Baharak Mahmoudi<\/p>\n\n\n\n

Wonders of writing footnotes<\/p>\n\n\n\n

> Ali Bakhtyari<\/p>\n\n\n\n

Fluide popularity of repetition. Interview with Emad Khatami<\/p>\n\n\n\n

> Hossein Ganji<\/p>\n\n\n\n

Further readings<\/p>\n\n\n\n

> Amir Molaei<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

Popular culture or universality Hadi Aghajanzadeh interviews Hossein Payandeh on “Boundaries of Popular Culture” in this issue, and Shahrooz Nazari writes a report on popular culture in the visual arts, noting that: \u201c Without a doubt, popular culture is a hotbed of cultural disputes, but these conflicts do not benefit either one group over the […]<\/p>\n","protected":false},"author":1,"featured_media":2986,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,19,6,20],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2772"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2772"}],"version-history":[{"count":1,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2772\/revisions"}],"predecessor-version":[{"id":3003,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2772\/revisions\/3003"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2986"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2772"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}