{"id":2779,"date":"2020-05-31T07:23:52","date_gmt":"2020-05-31T07:23:52","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2779"},"modified":"2021-09-08T13:03:03","modified_gmt":"2021-09-08T13:03:03","slug":"issue-10","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2020\/05\/31\/issue-10\/","title":{"rendered":"Issue 10"},"content":{"rendered":"\n

For Bushehr<\/h2>\n\n\n\n

Bushehr is a place I’ve never visited. It’s only via books and stories that I’ve learned anything about it. For me, Bushehr is sad because of the heat and humidity, the scorching sun, and the people.Bushehr is the consistent tonality of Damam and Neyanban for me. For me, Bushehr is Kiomars Pourahmad’s film “For Hanieh.” It’s a picture of a young topless and tanned lad lying on the beach after a long day of playing, exhausted and looking forward to the dawn of a new day. Anghah magazine devotes each issue to a new subject from a new perspective, issues that may have been examined previously about the historical vision of Angah on each subject makes it so enjoyable and distinctive.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Angah explored Shiraz in the sixth issue, but Bushehr was picked as the subject, and if you’ve never gone to Bushehr, reading this issue will make you feel as if you’ve taken a brief trip to this southern port, to Bushehr; the gate of tolerance. In the winter of 2020, the tenth issue of Angah art and culture magazine was published, with the subject of “Bushehr; The gate of tolerance\u201d.<\/p>\n\n\n\n

This issue’s fill-in-editor is Hamidreza Mohammadi. The appealing color of the cover conjures up images of Bushehr’s heat and shine, as well as the sun’s spread across Iran’s southern border and people’s joy. \u201cBushehr is an example of an Iranian city in the magnitude of the country, like Tehran,\u201d writes Mohammad Beheshti on the opening page.<\/p>\n\n\n\n

Studying the people of each era is the most essential part of understanding that era. Angah describes the history and background of this southern city, as well as the lovely stories of fortitude and perseverance of its inhabitants, from “a few thousand years ago to just now”. Tells the story of \u201cThe chant of persian sailors\u201d and \u201cThe City of tolerance\u201d.  From \u201cHot and sometimes powerless nights of Bushehr\u201d to \u201cArchitecture of Bushehr in one glance\u201d.  It has interviews with Seyed Jaffar Hamidi,  Iraj Saghiri, Abdolkarim Mashayekhi, Mohsen Sharifian and others. This issue of angah will take us to Bushehr.<\/p>\n\n\n\n

Table Of content<\/strong><\/h3>\n\n\n\n

7<\/p>\n\n\n\n

Editorial<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

8<\/p>\n\n\n\n

From the people of a few thousand years ago to right now<\/p>\n\n\n\n

> Hamidreza Mohamadi<\/p>\n\n\n\n

10<\/p>\n\n\n\n

Modernization of civilization<\/p>\n\n\n\n

> Seyed Mohammad Beheshti<\/p>\n\n\n\n

16<\/p>\n\n\n\n

Let him have two guns instead of one. Interview with Ehsan Abdipour<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

32<\/p>\n\n\n\n

Telegraph and post company of bushehr in Qajar era<\/p>\n\n\n\n

> Willem Floor Translated by Iraj Nabavipour, Esmaeil Nabavipour<\/p>\n\n\n\n

36<\/p>\n\n\n\n

Bushehr, January 20th 2017<\/p>\n\n\n\n

> Hessein Hosseini<\/p>\n\n\n\n

42<\/p>\n\n\n\n

Requiem by a romantic revolutionary for the indiscreet Charm of the Bourgeoisie<\/p>\n\n\n\n

> Darioush Gharibzadeh<\/p>\n\n\n\n

48<\/p>\n\n\n\n

Utmost honor and courage<\/p>\n\n\n\n

50<\/p>\n\n\n\n

> Touraj Daryaei<\/p>\n\n\n\n

The old man and the sea. Interview with Abdolrasoul Gharibi<\/p>\n\n\n\n

> Hamidreza Mohammadi<\/p>\n\n\n\n

64<\/p>\n\n\n\n

From Abushahr to Bushehr. Interview with Abdolkarim Mashayekhi<\/p>\n\n\n\n

> Mohammadreza Hamidi<\/p>\n\n\n\n

76<\/p>\n\n\n\n

Bushehr, January 1981<\/p>\n\n\n\n

> Mohammad Tahaminejad<\/p>\n\n\n\n

78<\/p>\n\n\n\n

Hitler\u2019s rage or the rude maid<\/p>\n\n\n\n

> Shahram Zargar<\/p>\n\n\n\n

82<\/p>\n\n\n\n

A narrative of the hot and sometimes powerless nights of Bushehr<\/p>\n\n\n\n

> Hajar Razmpa<\/p>\n\n\n\n

88<\/p>\n\n\n\n

Prosperity of Bushehr<\/p>\n\n\n\n

> Omid Akhavi<\/p>\n\n\n\n

94<\/p>\n\n\n\n

Mama Yuma<\/p>\n\n\n\n

> Maryam Manouchehri<\/p>\n\n\n\n

100<\/p>\n\n\n\n

Censored bombings<\/p>\n\n\n\n

> Seyed Ghassem Yahosseini<\/p>\n\n\n\n

110<\/p>\n\n\n\n

On the old Persian Gulf shore<\/p>\n\n\n\n

> Monireh Zeinali<\/p>\n\n\n\n

116<\/p>\n\n\n\n

The past, shining a light on the way ahead<\/p>\n\n\n\n

> Mahtab Ebrahimzadeh<\/p>\n\n\n\n

120<\/p>\n\n\n\n

Why is Bushehr so averse to modernity?<\/p>\n\n\n\n

> Esmaeil Hessammoghdam<\/p>\n\n\n\n

124<\/p>\n\n\n\n

I Always hated politics, Interview with Iraj Saghiri<\/p>\n\n\n\n

> Arash Tanhai<\/p>\n\n\n\n

136<\/p>\n\n\n\n

The posterity and bushehr, Interview with Ali Pirmoradi<\/p>\n\n\n\n

> Elham Ahmadpour<\/p>\n\n\n\n

140<\/p>\n\n\n\n

Seven layer of ash<\/p>\n\n\n\n

> Fateh Sahba<\/p>\n\n\n\n

158<\/p>\n\n\n\n

No one has felt as sorry as I have for Bushehr, Interview with Seyed Jaffar Hamidi<\/p>\n\n\n\n

> Maryam Shahbazi<\/p>\n\n\n\n

164<\/p>\n\n\n\n

Another song<\/p>\n\n\n\n

> Mohsen Mosavi Mirkalaei<\/p>\n\n\n\n

172<\/p>\n\n\n\n

A man with a heart attack in his pocket, Interview with Saeid Mahimani<\/p>\n\n\n\n

> Hamidreza Zerafat<\/p>\n\n\n\n

176<\/p>\n\n\n\n

In the harbor of history<\/p>\n\n\n\n

> Foroozan Zibaei<\/p>\n\n\n\n

178<\/p>\n\n\n\n

The chant of persian sailors, Interview with Mohsen Sharifian<\/p>\n\n\n\n

> Hamid Radmehr<\/p>\n\n\n\n

184<\/p>\n\n\n\n

Fate of a city. Interview with Gholamreza Amirkhani<\/p>\n\n\n\n

> Mahdi Norooz<\/p>\n\n\n\n

190<\/p>\n\n\n\n

The land of Mojahedin endeavors<\/p>\n\n\n\n

> Amirreza Mohammadi<\/p>\n\n\n\n

198<\/p>\n\n\n\n

Four corners of an order\u2026<\/p>\n\n\n\n

> Galia Haghparast<\/p>\n\n\n\n

202<\/p>\n\n\n\n

Architecture of Bushehr in one glance<\/p>\n\n\n\n

> Ahmad Talebinejad<\/p>\n\n\n\n

206<\/p>\n\n\n\n

Two perspectives, Naser Vojdan and Zari Shesh Bolouki\u2019s photos<\/p>\n\n\n\n

> Yalda Moayeri<\/p>\n\n\n\n

216<\/p>\n\n\n\n

Constant tone of Damam and Senj<\/p>\n\n\n\n

> Sadaf Pourshakibaei<\/p>\n\n\n\n

220<\/p>\n\n\n\n

The harbor\u2019s representatives<\/p>\n\n\n\n

> Forough Bahreini<\/p>\n\n\n\n

226<\/p>\n\n\n\n

The name of some<\/p>\n\n\n\n

> Farhan Sonboldel<\/p>\n\n\n\n

234<\/p>\n\n\n\n

The City of tolerance<\/p>\n\n\n\n

> Hamid Moazeni<\/p>\n\n\n\n

238<\/p>\n\n\n\n

Doctor of deprived areas<\/p>\n\n\n\n

> Khosrow Sinai<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

For Bushehr Bushehr is a place I’ve never visited. It’s only via books and stories that I’ve learned anything about it. For me, Bushehr is sad because of the heat and humidity, the scorching sun, and the people.Bushehr is the consistent tonality of Damam and Neyanban for me. For me, Bushehr is Kiomars Pourahmad’s film […]<\/p>\n","protected":false},"author":1,"featured_media":2979,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,23,24,6],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2779"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2779"}],"version-history":[{"count":1,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2779\/revisions"}],"predecessor-version":[{"id":2983,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2779\/revisions\/2983"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2979"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2779"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}