{"id":2788,"date":"2021-06-03T09:23:52","date_gmt":"2021-06-03T05:53:52","guid":{"rendered":"http:\/\/www.angahmag.com\/?p=2788"},"modified":"2021-06-29T11:40:53","modified_gmt":"2021-06-29T11:40:53","slug":"issue-13","status":"publish","type":"post","link":"http:\/\/en.angahmag.com\/index.php\/2021\/06\/03\/issue-13\/","title":{"rendered":"Issue 13"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\">\n<h2 class=\"wp-block-heading\">Football, most similar phenomenon to life<\/h2>\n\n\n\n<p class=\"has-drop-cap\">In the winter of 2021, the thirteenth issue of Angah magazine was published, with the subject &#8220;Football; As a Battle&#8221; and an illustration by Iman Safaei of Adel Ferdosipour. Each issue of Angah focuses on a different subject, and this time it&#8217;s football, which it explores and examines from various angles.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"607\" src=\"http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/06\/Sale-cover-2.png\" alt=\"\" class=\"wp-image-2968\" srcset=\"http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/06\/Sale-cover-2.png 607w, http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/06\/Sale-cover-2-300x300.png 300w, http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/06\/Sale-cover-2-150x150.png 150w, http:\/\/en.angahmag.com\/wp-content\/uploads\/2021\/06\/Sale-cover-2-125x125.png 125w\" sizes=\"(max-width: 607px) 100vw, 607px\" \/><\/figure><\/div>\n\n\n\n<p>You may read articles by Naser Fakouhi, Ali Varamini, Jasem Ghazbanpour, and Fateh Sahba at the beginning of this issue. In an interview with Jahangir Kowsari, Chia Foadi discusses sports on television, Adel Ferdosipour, and the &#8220;90&#8221; TV show. Other interviews include \u201cThere is no justice in football\u201d with Iranian cartoonist Javad Alizadeh, and \u201cAlas! This issue includes articles such as \u201cFrom this Farhad killer\u201d by Adel Ferdosipour and \u201cThe negative film was more significant than us\u201d by Reza Mo&#8217;aterian, an Iranian photographer.<\/p>\n\n\n\n<p>In his piece &#8220;Perspolis is the master of Esteghlal, Esteghlal is the master of perspolis,&#8221; Amir Mohammd Soleymani investigates the trash talk in Tehran Derby. In her article, Banoushe Farhat remembers Ahmadreza Abedzadeh, and towards the end of the issue, Fatemeh Samadi discusses female presence in stadiums.<\/p>\n\n\n\n<p>Hamid Moazeni writes in his article titled \u201cFootball is life\u201d : \u201cFootball is an international mediator that exists between war and peace and begs to get out of this by the help of culture. As one of Iranian analyzer said, football is the most similar phenomenon to our lives; Human life has the potential to evolve from an innate effort into something spiritual, intellectual, creative, fascinating, and passionate\u201d.<\/p>\n\n\n\n<p>Football has a different meaning to each one of us. To get absorbed into it, watching the matches and being a fan of a team with no expectations, might be the importance of this sport. Football, according to Arash Tanhai, is similar to people who battle to the death for their independence and the prosperity of their country.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Table Of content<\/strong><\/h3>\n\n\n\n<p>7<\/p>\n\n\n\n<p>Editorial<\/p>\n\n\n\n<p>&gt; Arash Tanhai<\/p>\n\n\n\n<p>8<\/p>\n\n\n\n<p>Football; vagabonds and intellectuals<\/p>\n\n\n\n<p>&gt; Naser Fakouhi<\/p>\n\n\n\n<p>14<\/p>\n\n\n\n<p>To be free for a moment<\/p>\n\n\n\n<p>&gt; Ali Varamini<\/p>\n\n\n\n<p>24<\/p>\n\n\n\n<p>I still like to commentate football, Interview with Jahangir Kowsari<\/p>\n\n\n\n<p>&gt; Chia Foadi<\/p>\n\n\n\n<p>44<\/p>\n\n\n\n<p>He never acquiescence to get marry<\/p>\n\n\n\n<p>&gt; Jasem Ghazbanpour<\/p>\n\n\n\n<p>48<\/p>\n\n\n\n<p>Football with the intellectual\u2019s pipe and cane<\/p>\n\n\n\n<p>&gt; Ehsan Mohammadi<\/p>\n\n\n\n<p>54<\/p>\n\n\n\n<p>The way of king; Story of Ali Daei\u2019s life<\/p>\n\n\n\n<p>&gt; Fateh Sahba<\/p>\n\n\n\n<p>80<\/p>\n\n\n\n<p>From the grass of backyard to champion\u2019s league, Interview with Shahzad Mozaffar<\/p>\n\n\n\n<p>&gt; Maria Shahi<\/p>\n\n\n\n<p>92<\/p>\n\n\n\n<p>100 thousand male stadium<\/p>\n\n\n\n<p>&gt; Podium photography group<\/p>\n\n\n\n<p>98<\/p>\n\n\n\n<p>Perspolis is the master of Esteghlal, Esteghlal is the master of perspolis<\/p>\n\n\n\n<p>&gt; Amir Mohammad Soleymani<\/p>\n\n\n\n<p>106<\/p>\n\n\n\n<p>Country as the flesh of body<\/p>\n\n\n\n<p>&gt; Sama Babaei<\/p>\n\n\n\n<p>110<\/p>\n\n\n\n<p>Time and era of Ali Parvin<\/p>\n\n\n\n<p>&gt; Afshin Amirshahi<\/p>\n\n\n\n<p>116<\/p>\n\n\n\n<p>Representative of non-fans<\/p>\n\n\n\n<p>&gt; Ali Amir riahi<\/p>\n\n\n\n<p>124<\/p>\n\n\n\n<p>In praise of nostalgia<\/p>\n\n\n\n<p>&gt; Raheleh Amir Bahrami<\/p>\n\n\n\n<p>128<\/p>\n\n\n\n<p>There is no justice in football, Interview with Javad Alizadeh<\/p>\n\n\n\n<p>&gt; Hadi Heydari<\/p>\n\n\n\n<p>142<\/p>\n\n\n\n<p>On the substitute bench<\/p>\n\n\n\n<p>&gt; Baharak Mahmoudi<\/p>\n\n\n\n<p>148<\/p>\n\n\n\n<p>Right event in a right time and place<\/p>\n\n\n\n<p>&gt; Hossein Asaran<\/p>\n\n\n\n<p>156<\/p>\n\n\n\n<p>Why is our literature separated from football? Conversation between Hossein Ganji, Mohammad Tolouei and Mehdi Yazdani Khorram<\/p>\n\n\n\n<p>164<\/p>\n\n\n\n<p>For a fistfull of dollars<\/p>\n\n\n\n<p>&gt; Nader Davoudi<\/p>\n\n\n\n<p>168<\/p>\n\n\n\n<p>Relax, I\u2019m here<\/p>\n\n\n\n<p>&gt; Banousheh Farhat<\/p>\n\n\n\n<p>170<\/p>\n\n\n\n<p>A cup full of thrill<\/p>\n\n\n\n<p>&gt; Farzaneh Ghobadi<\/p>\n\n\n\n<p>174<\/p>\n\n\n\n<p>In praise of the revolution<\/p>\n\n\n\n<p>&gt; Abdollah Yalchin<\/p>\n\n\n\n<p>180<\/p>\n\n\n\n<p>The S<\/p>\n\n\n\n<p>&gt; Peyman Hooshmandzadeh<\/p>\n\n\n\n<p>184<\/p>\n\n\n\n<p>You, healed by love\u2026<\/p>\n\n\n\n<p>&gt; Banousheh Farhat<\/p>\n\n\n\n<p>192<\/p>\n\n\n\n<p>Separation and football<\/p>\n\n\n\n<p>&gt; Abolfazl Rajabi<\/p>\n\n\n\n<p>196<\/p>\n\n\n\n<p>I was number seven and i\u2019m still alive<\/p>\n\n\n\n<p>&gt; Hossein Shekarbeigi<\/p>\n\n\n\n<p>200<\/p>\n\n\n\n<p>Birth of an ambitious narrator<\/p>\n\n\n\n<p>&gt; Mehdi Yazdani Khorram<\/p>\n\n\n\n<p>206<\/p>\n\n\n\n<p>Alas! From this Farhad killer, Interview with Adel Ferdosipour<\/p>\n\n\n\n<p>&gt; Maziyar Nazemi<\/p>\n\n\n\n<p>210<\/p>\n\n\n\n<p>Football is not just football<\/p>\n\n\n\n<p>&gt; Farzad Moghadam<\/p>\n\n\n\n<p>216<\/p>\n\n\n\n<p>Poses in a large scale<\/p>\n\n\n\n<p>&gt; Hojjat Askari<\/p>\n\n\n\n<p>220<\/p>\n\n\n\n<p>The negative film was more significant than us, Interview with Reza Mo\u2019atarian<\/p>\n\n\n\n<p>&gt; Hossein Ganji<\/p>\n\n\n\n<p>240<\/p>\n\n\n\n<p>Football is life<\/p>\n\n\n\n<p>&gt; Hamid Moazeni<\/p>\n\n\n\n<p>244<\/p>\n\n\n\n<p>Magic Of football unde the grape tree<\/p>\n\n\n\n<p>&gt; Nahid Molavi<\/p>\n\n\n\n<p>250<\/p>\n\n\n\n<p>Free girls<\/p>\n\n\n\n<p>&gt; Fatemeh Samadi<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Football, most similar phenomenon to life In the winter of 2021, the thirteenth issue of Angah magazine was published, with the subject &#8220;Football; As a Battle&#8221; and an illustration by Iman Safaei of Adel Ferdosipour. Each issue of Angah focuses on a different subject, and this time it&#8217;s football, which it explores and examines from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2967,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[3,29,30,6],"_links":{"self":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2788"}],"collection":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/comments?post=2788"}],"version-history":[{"count":1,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2788\/revisions"}],"predecessor-version":[{"id":2969,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/posts\/2788\/revisions\/2969"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media\/2967"}],"wp:attachment":[{"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/media?parent=2788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/categories?post=2788"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/en.angahmag.com\/index.php\/wp-json\/wp\/v2\/tags?post=2788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}